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Seeing Things as They Are G K Chesterton and the Drama of Meaning Veritas Book 18 edition by Duncan Reyburn Politics Social Sciences eBooks

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Seeing Things as They Are G K Chesterton and the Drama of Meaning Veritas Book 18 edition by Duncan Reyburn Politics Social Sciences eBooks

In examining Chesterton's hermeneutic (and general outlook on life, faith and everything), Duncan Reyburn uncovers an approach to interpreting any 'text' (even that of lived reality itself) that just seems so much more Christian in character than what is seen in many other hermeneutics. We are helped to see in Chesterton a qualified optimism, humility, generosity and side-splitting humour and general joie de vie, and a palimpsestic approach to building understanding. The book selects many gems from the pen of Chesterton for closer scrutiny (dozens of which are laugh-out-loud funny). Simultaneously, it is itself written in a distinctly chestertonian style full of wit, wordplay, and paraprosdokians.
To help understand his extensive body of work, various aspects of Chesterton's hermeneutic are discussed - its context, what it intends to achieve, and how it does so; its horizons and events of understanding; and its cosmology, epistemology and ontology. Reyburn looks at how these things are generally established while looking at Chesterton specifically and, in so doing, delivers a very insightful study on the nature of hermeneutics itself. These (philosophically contorted) ideas are discussed systematically and in great depth, but simultaneously in a light-hearted manner and with an eye to practical everyday living.


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Seeing Things as They Are G K Chesterton and the Drama of Meaning Veritas Book 18 edition by Duncan Reyburn Politics Social Sciences eBooks Reviews

Six out of five.
Chesterton is such a rich and varied writer that his corpus resists any attempt to capture it in a ‘definitive’ work. Besides, even though deconstruction may be old hat, the notion of a ‘definitive authority’ still remains decidedly unpopular.
One is however inclined to resurrect the term for Seeing Things As They Are G. K. Chesterton And the Drama of Meaning. It is not simply a book about Chesterton it is Chestertonian. That is to say, it brings forth the most sublime truths in language that is deceptively clear (did I say deconstruction is old hat?), yet forces the reader time and again, to do a double take. Did I just read what I just read? What is this word that I have been taken for granted all my life?
Those who think that hermeneutics is a dry, nineteenth-century German phenomenon, would have to consider the writer shows how close Chesterton’s experience really is to the thought of Heidegger and Gadamer. Despite the wit and accessibility, it is a scholar’s book, and as essential as it is for students of the hermeneutical tradition as it is for Chesterton experts and enthusiasts. One can also add it to the list for literary critics, Modernist studies, theology (also the atheist variety) and to anyone interested in the history of twentieth century thought.
Reyburn wonderfully elucidates one of the most startling paradoxes in Chesterton’s view of the world that ‘we have been lulled into a dull perception of things not because of too much repetition, but too little (p.24).’ That is to say, something has not been explored in its phenomenological uniqueness. In reading this book, one discovers the Platonist in Chesterton – not the staid Plato of the Forms, but the thinker that held that all philosophy – no all thinking – begins in wonder. This book is an invitation – to engage in the art of wonder with Chesterton.
In examining Chesterton's hermeneutic (and general outlook on life, faith and everything), Duncan Reyburn uncovers an approach to interpreting any 'text' (even that of lived reality itself) that just seems so much more Christian in character than what is seen in many other hermeneutics. We are helped to see in Chesterton a qualified optimism, humility, generosity and side-splitting humour and general joie de vie, and a palimpsestic approach to building understanding. The book selects many gems from the pen of Chesterton for closer scrutiny (dozens of which are laugh-out-loud funny). Simultaneously, it is itself written in a distinctly chestertonian style full of wit, wordplay, and paraprosdokians.
To help understand his extensive body of work, various aspects of Chesterton's hermeneutic are discussed - its context, what it intends to achieve, and how it does so; its horizons and events of understanding; and its cosmology, epistemology and ontology. Reyburn looks at how these things are generally established while looking at Chesterton specifically and, in so doing, delivers a very insightful study on the nature of hermeneutics itself. These (philosophically contorted) ideas are discussed systematically and in great depth, but simultaneously in a light-hearted manner and with an eye to practical everyday living.